Two of the most famous aliens of cinema have more in common than being two key figures of pop culture, although we must look between racks.
The Science fiction He stuck strong from the second half of the 70s and, arrived the new decade, the genre lived one of its golden ages on the big screen. Ridley Scott closed the seventies with Alien, the eighth passengerwhile Steven Spielberg broke the box office in 1982 with Et the extraterrestrial.
Both films were absolute referents at the time and presented creatures beyond the sky that became icons of popular culture.
Of course while Et He hugged the most endearing and fantastic side and being a child you would not mind that he lived in the closet between the stuffed animals, nobody would like to have a Xenomorph In the room, at home, or on the same planet.
But beyond being stars of science fiction, both ET and Xenomorph have a common factor that is not seen with the naked eye. Well, it is seen on the screen, but you don’t know what it is if you do not investigate. Both are creations of Carlo Rambaldi.
The artist behind Alien and et el alierarestre
This special effect genius won three Oscar awards in a period of five years, and two of them were for their work in Alien, the eighth passenger and Et the extraterrestrial. The third, so that you do not stay with doubt, was King Kongthe 1976 version of John Guillermin, although it was a special concession.
It was the work of Carlo Rambaldi who gave that terrifying realism to the Xenomorph along Alien, the eighth passenger, that approach that contributed to the atmosphere of horror and science fiction that Ridley Scott gave the movie of 1979.
In a couple of years before Alien, Rambaldi had worked with Steven Spielberg in meetings in the third phase. While that work was not worth nominations, he placed it in the filmmaker’s list. When Spielberg rejected the original version of ET that he created ED VERREAUXhe called Carlo Rambaldi to give life to the animatronic we met on the screen.
Carlo Rambaldi is, in this way, one of the absolute referents for science fiction creatures that marked cinema forever in the 70s and 80s. Et the extraterrestrial and Alien, the eighth passenger They are its top referents, although it would also leave its mark on films such as The endless storyFor example.
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